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thumbnail Albert Charles Campbell (August 19, 1872 – January 25, 1947) was an American popular music singer who recorded between the late 1890s and the 1920s. He was best known for his many duo recordings with Henry Burr, and as a member of the Peerless Quartet and other vocal groups, but also recorded successfully as a solo singer both under his own name and under various pseudonyms including Frank Howard. ==Biography== He was born in Brooklyn, New York, and while in his teens performed as part of the Diamond Comedy Four with Steve Porter, Jim Reynard, and Billy Jones, who worked as song pluggers for the music publishers Joe Stern and Edward B. Marks.〔( Gage Averill, ''Four Parts, No Waiting : A Social History of American Barbershop Quartet'', Oxford University Press, 2003, p.64 )〕 He also began touring as a vaudeville singer. A tenor, he first recorded for Berliner Records in 1897, and then also recorded for Columbia and several other cylinder recording companies. Among his early solo successes were "My Wild Irish Rose" (recorded for both Berliner and Edison, 1899); "Ma Blushin' Rosie" (recorded for Gram-o-Phone Records, 1900); and "Love Me and the World Is Mine" (for Victor, 1906).〔(Songwriters Hall of Fame: Albert Campbell ). Retrieved 20 May 2013〕 Campbell also recorded, after the late 1890s, as part of the Columbia Male Quartet, which after 1907 became more generally known as the Peerless Quartet. The group was the most commercially successful of the acoustic era, and at the peak of their popularity, between about 1911 and 1917, also featured tenor Henry Burr, baritone Arthur Collins, and bass John Meyer. Their most successful recordings over the period included "I Want A Girl (Just Like The Girl That Married Dear Old Dad)" (1911); "I Didn't Raise My Boy To Be A Soldier" (1915); and "Over There" (1917).〔(Songwriters Hall of Fame: The Peerless Quartet ). Retrieved 20 May 2013〕 Campbell made few solo recordings after 1907, but formed a highly successful recording partnership with Henry Burr. The pair had a succession of major commercial hits between 1911 and 1925. These included "When I was Twenty-One and You Were Sweet Sixteen" (recorded for Columbia, 1912); "The Trail of the Lonesome Pine" (Columbia, 1913); "I'm On My Way To Mandalay" (Columbia, Edison, Indestructible, and Victor, 1914); "Close to My Heart" (Columbia, 1915); "There's a Quaker Down In Quaker Town" (Victor, 1916); "Lookout Mountain" (Columbia and Victor, 1917); "Till We Meet Again" (Columbia, Emerson, and Paramount, 1919); and "I'm Forever Blowing Bubbles" (Columbia and OKeh, 1919).〔〔Whitburn, ''Pop Memories 1890-1954'', pp.69-70〕 Campbell and Burr, together with John Meyer and Frank Croxton, continued to perform and record as the Peerless Quartet with some success until 1925, when the group disbanded. Campbell then formed a duo with Frank Kaufman;〔( Victor Discography: Albert Campbell and Jack Kaufman ). Retrieved 20 May 2013〕 they sometimes recorded as "Murphy and Shea", "Collins and Reynolds", or "Wheeler and Morse".〔( Allan Sutton, ''A Guide to pseudonyms on American records, 1892-1942'', Greenwood Press, 1993 )〕 Albert Campbell died in New York in 1947 at the age of 74.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Albert Campbell (singer)」の詳細全文を読む スポンサード リンク
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